Greg Skaggs is an active artist who has shown his work throughout the south and southwest and internationally. Notably, he was selected to show nationally in New American Drawings and regionally in Drawing on Alabama, both showcased up-and-coming talent from the United States and throughout the South. Selected works were also chosen for, “Urban Wild” at the Contemporary Museum of Art in Mobile, Alabama, and “Uncommon Territory– Contemporary Art in Alabama” at the Montgomery Museum of Fine Art. Skaggs was selected to be a part of a group show at the Ogden Museum of Art in New Orleans. He is also a member of IC3 , International Center of Collaboration and Creativity, which has worked on projects in Halmstad, Sweden. He served on the Board of Trustees at the Wiregrass Museum of Art from 2008 – 2015 and currently serves as the Vice-President for Communications for FATE (Foundations in Art: Theory and Education). Skaggs also was appointed to serve on the curriculum board for Advanced Placement–The College Board (associated with Educational Test­ing Services) and spends part of his summer as a reader for AP Studio in Salt Lake City, Utah.

Jonny Farrow (born 1969, Kentucky, USA) works across disciplines: primarily in sculpture, printmaking, painting, sound, and transmission art, researching the liminal, the uncanny, the electromagnetic, and the dubious origins of popular mythologies. Coming out of New York City's lower east side D-I-Y music scene of the 90s taught Farrow to freely experiment in his work and to see his art practice as being both intuitively and narratively driven. This, he believes, is the influence of songwriting on his practice as he is just as likely to start with a material (a riff) as a narrative (lyrical) or conceptual idea. Recently he has been focusing on kinetic sculpture made from cast bronze, making objects that if not in motion, somehow suggest it. This motion always points to the body, sound, presence or absence, and intent.

Dr. Kenyon Holder has taught art history at Troy University for eight years. Prior to her work at Troy, Dr. Holder completed her MA in Museum and Gallery Studies and her Ph.D. in Art History both at the University of Leeds (UK). Her research work focuses on the Wedgwood collection at the Birmingham Museum of Art and she is a frequent contributor at regional and national art conferences. She is particularly interested in the contextualization of material culture within domestic and institutional settings, narratives of collecting, and the distinctions made between the decorative and fine arts.